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The Fountainhead (1949)

1.6s

Think of the people in the slums.

The Fountainhead (1949)

2.7s

They hate you for the greatness of your achievement.

The Fountainhead (1949)

3.3s

...is a threat to all of you. The conflict of forms is too great.

The Fountainhead (1949)

2.6s

...about a matter which will be of great interest to you.

The Fountainhead (1949)

5s

But to get things done, you must love the doing, not the people.

The Fountainhead (1949)

1.7s

I'm not afraid of them any longer.

The Fountainhead (1949)

2.8s

It is not an object of sacrifice.

The Fountainhead (1949)

4.2s

...part of a world where beauty and genius and greatness have no chance.

The Fountainhead (1949)

2s

But its appearance is not of any known style.

The Fountainhead (1949)

3.1s

- Shall I call the superintendent? - No, of course not.

The Fountainhead (1949)

4.6s

Look. You see those people down there? You know what they think of architecture?

The Fountainhead (1949)

3.3s

You must learn not to be afraid of the world, not to take any notice.

The Fountainhead (1949)

4.7s

...you've waited for your one great chance. There it is, on the site of Hell's Kitchen.

The Fountainhead (1949)

3.5s

Your own work, not any possible object of your charity.

The Fountainhead (1949)

3.1s

But surely you're not in favor of so-called modern architecture?

The Fountainhead (1949)

3.4s

There aren't. He's not any better than the rest of us.

The Fountainhead (1949)

3.9s

Thus he represents not himself but the multitude of all men together.

The Fountainhead (1949)

2.7s

- Miss Francon and I do not always agree. - I'm sure of it.

The Fountainhead (1949)

3.4s

- Sorry, I'm not good at that sort of thing. - Gail Wynand expects results.

The Fountainhead (1949)

3.7s

...but that's not the motive of my work, nor my reason, nor my reward.